This mix highlights parts of Flynn’s novel Gone Girl, from the “twincest-y” relationship of Nick and Go to Amy’s vindictive and manipulative psychosis that eventually destroys her marriage.
Songs like Florence and the Machine’s “Kiss with a Fist,” “Desperate Measures” by Marianas Trench and “I Was a Fool” by Tegan and Sara explore the disintegrating and destructive relationship between Amy and Nick. While “Black Widow,” by Iggy Azalea, “Bad Reputation” by Joan Jett and “Decoy” by Paramore all detail Amy’s rich and enduring need to continue the life and lies she’s built herself on.
Later tracks like “Psychotic Girl” by The Black Keys and “Okay I Believe You But My Tommy Gun Don’t” by Brand New describe what’s left of Nick and Amy’s relationship after she’s forced to return to him and their forced relationship following her secret impregnation.
Overall, the music explores the intricacies of the story, leading the characters in the same circles they pursue in the text while highlighting the aspects that make Nick, Amy and Go so memorable.
This masterful web of magic and mystery has to be one of my favorites by the famed fantasy author. Gaiman shocks and surprises once again with the 2013 publication showing readers that the child’s mind still remains the most viable and open to the unknown, even after aging long into adulthood.
The story follows a Sussex native returning to his childhood home after a funeral where he decides to visit former best friend, Lettie Hempstock. From there both he and the reader are fully immersed in flashbacks to a whirlwind battle between good, evil and the great beyond.
With a telling dedication, “For Amanda, who wanted to know,” Gaiman airs on the side of the clandestine, cloaking the novel’s overture in slowly-revealed secrets. The pacing keeps the reader engaged and entertained, making the text nearly impossible to put down.
This short story turned novel is filled with decadent description, charismatic characters and memorable quotations, an ocean for any rabid reader to devour. The work may be a quick read, but it’s one you’ll want to pick up again and again. I highly recommend The Ocean at the End of the Lane toreaders of all ages.
Day 18: Favorite screen adaptations- The Great Gatsby, She’s the Man (Based off Twelfth Night), Macbeth ft. Patrick Stewart, and Romeo and Juliet ft. Claire Danes and Leo DiCaprio
I loved the adaptation of Shakespeare’s Twelfth Night. Though it may not fit the plot to the letter, the similarities are striking and the presentation is ridiculously entertaining.
The versions of Macbeth and R &J are both highly symbolic and I really enjoyed the gritty and unique way they were produced.
Gatsby made the list purely because it was SO close to the book that I had almost no complaints. Other than the neglect for color symbolism, which was so apparent in the text, the movie followed the plot-line to the letter. I was impressed, entertained and fulfilled as a reader.
I’ve had a lot of extra time to read lately, and I wanted to catch you all up with some quick reviews of the texts I’ve finished.
The Girl Who Played With Fire by Stieg Larsson
The second book in Larsson’s Millennium Trilogy, this fast-paced novel covers the exploits of Bloomkvist and Salander and their various compatriots as they attempt to uncover a horrendous human-trafficking scandal.
The pacing of this novel was far superior to The Girl With The Dragon Tattoo. Larsson spent the majority of Part One catching readers up with Salander in the aftermath of the Wennerström affair, placating them with some small conflicts in the beginning until the real bombs are dropped in the center and end sections.
Bombs? Absolutely. I won’t tell you when, but The Girl Who Played With Fire definitely reveals a huge shocker alongside the explanation of “All the Evil.”
This was my favorite of the Larsson trilogy. It was engaging, well-paced, vivid and, at points, shocking.
The Girl Who Kicked the Hornet’s Nest by Stieg Larsson
The final installment of the Millennium Trilogy, regrettably, starts out slow. Finishing off the jaw-dropping cliffhanger from The Girl Who Played With Fire, this book spends too much of its first half stretching out details and dialogue that’s definitely not as interesting as the action and adventure of its predecessor.
However, once you make it to the end of Part Two a few new characters, and even some old favorites, return to make the story much more interesting. At points, it seemed like Larsson was struggling to round out the ending of book three by adding in Berger’s stalker scandal.
A common theme to all Larsson’s books is the empowerment and strength of women. Because of that over-arching archetype, Berger’s story fits, but it still feels forced.
Overall, the book did a decent job of wrapping up the trilogy, but it was clearly the weakest of the three.
Generation Kill by Evan Wright
This journalistic account of First Recon Marines written by former Rolling Stone journalist, Evan Wright, details the 2003 invasion of Iraq.
Later adapted by HBO into a TV show, the account follows the 1st Reconnaissance Battalion from the view of Wright as he remained embedded with them for two months.
The text is gritty, vivid, raunchy and haunting. Wright’s words transport the reader far from their comfort zone, challenging them to accept the truth behind the writing– a feat that should never be taken lightly.
Retelling instances of death, destruction, manipulation and ignorance, the book stays true to Lt. Nathaniel Fick’s words “Write this as you see it. I’m not here to stop you.”
The book is extremely well written, descriptive and unadulterated in its actuality. There were several times when I had to put it down and take a break for a bit as the details can really weigh on you.
Read the book. Be prepared for some internal turmoil, but read it all the same.
I hope you enjoyed my mini reviews! Feel free to let me know how you feel in the comments below, and check out my profile on Goodreads!