Gone Girl by Gillian Flynn
With all the promises of “I just couldn’t put it down!” and “OMG, so addicting!!!” I ventured into this best-selling novel with high expectations. This dually narrated suspense story follows the lives of Nick and Amy Dunne, a married couple experiencing difficulties in their relationship.
The story finally sparks interest with the sudden and unexplained disappearance of Amy on their fifth wedding anniversary. Flynn’s narrative segmentation between Nick’s real-time observations and Amy’s diary nearly forces the reader to keep reading by breaking off in the middle of providing vital information. It’s just as frustrating as it is tiresome.
Flynn also struggled with inequality in character development. Where Amy, self-professed genius and master of manipulation is fleshed out to the fullest, Nick remains the inept, bumbling husband regardless of climactic stimuli. Though it’s clear by the end that Amy is the unadulterated center of the story, it doesn’t change the supremely unbalanced points of view.
Is this a plot device? Maybe, but to the average reader it comes across as sloppy writing more than an extensively crafted linguistic choice.
Overall, Flynn’s writing is strong. Strong enough that after finishing this book I pursued another one of her works Dark Places. However, the ending and the self-indulgent-Amy-show narration made the book semi-predictable and, at times, uninteresting.
Though I wouldn’t extol this book’s praises as others have before me, I would still recommend it if you’re at all interested. You may end up enjoying Flynn’s work in ways I didn’t. Colorful supportive characters and an early plot twist redeem the aforementioned flaws, so it’s not an entirely hopeless pursuit.
Gone Girl is a well-written, well-paced suspense story, but it could have been better. Venture with an open mind and low expectations and you won’t be disappointed.